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The PatriotPlot: Reviews: News: 10 May, 2000 Screen writer Robert Rodat talked to the LA Times about his script for The Patriot. "I'd been reading about the Revolution for a long time, and I knew as I was finishing writing Ryan, the next thing I wanted to do was something about the American Revolution. I live in Cambridge, Mass., and I regularly go to the Patriots Day reenactment out at Concord Bridge. But when I really got serious about it, I felt the events of the northern theater--Paul Revere's ride, the events at Lexington and Concord--were overly familiar." The movie is different from most war movies in that it deals with a father and son together during wartime. Rodat said, "Most wars, like World War II, are fought by young men who are largely childless, [but] with the Revolutionary War, the battleground was not overseas but right at home. That interaction between parental responsibilities and the responsibilities of principle, coupled with having your children in effect on the battlefield with you, struck me as dramatically fertile." 17 April, 2000 Dean Devlin and Roland Emmerich talked to the Hollywood Reporter about the status of the movie. Emmerich said, "We had our first test screening in New York and now we're doing a second test screening next week. We're pretty far along. I think we'll lock the picture in 15 or 20 days." He goes on to add that John Williams is scoring the picture. "We have enough time to finish the movie very carefully. It's not like we have to race to finish the movie. We're locking in the picture pretty soon. That leaves us enough time to do (everything) very carefully. Also, John Williams is scoring the movie. He came on very early on and he has enough time to write the music. I think we're doing really well time-wise." Devlin talked about the 45 minute preview they showed a week ago. They had to decide what to show. "When we were looking at the movie, we realized that this isn't a movie that's about hype or effects or anything like that. We just thought the best way to give people the impression of what we're trying to do here is to show as much as we can at this point. The movie has to kind of sell itself, in essence. We didn't want to produce some thing too slick. We didn't want to make an extended trailer. We thought, let's just take a chunk out of the movie in the current state and show it and say, this is what we're trying to accomplish… We thought it was a nice cross section, too, of acting scenes and action scenes." Emmerich adds to that saying, "We wanted to show a part where pretty much all the characters are introduced and where you see already part of the conflict. This was pretty much out of the first third of the movie. There's highly dramatic stuff happening in the middle and at the end, but we didn't want to give too much away. It's a little bit (like doing a) trailer. You choose a lot in trailers from the beginning to set up the story. So that was the thinking behind it -- not to give too much away, but give people enough to get an idea what the movie's about and what the relationship's about (for Gibson's character)." They wouldn't divulge the final budget but did say "it was more than Independence Day, but a lot less than Godzilla. Independence Day was $71 million and Godzilla was $120 million." 14 April, 2000 The full trailer is now online. Hurry and download it. Very cool. 12 April, 2000 This is going to be a very violent movie. It is expected to be given an R rating for the violence. One scene in particular should guarantee that rating. It depicts two young teenage boys stalking British soldiers with their father. They are shown actually shooting the enemy. Director Roland Emmerich is refusing to cut the scene to get a more box office friendly PG-13 rating, believing it integral to the story. Coming Attractions was lucky enough to get someone inside for a special 45 minute preview of the movie. Below is part of the review. It really emphasizes the violence and what it means to the movie.
Finally today, the full length trailer will premier on the official website this Friday. 16 March, 2000 A whole batch of shots straight from the set. Believe it or not it can be worthwhile to dig around in Geocities. Not that having a site their is necessarily bad. This site got its start there actually. But the cool spots like The Patriot are the exceptions, not the rule. Thanks to Ann for pointing it out.
7 March, 2000 A bunch of pictures today from ShoWest. I won't bother to try and explain them, just check them out they are quite stunning shots. The news that accompanies these pics is that Sony is considering trying to make this a PG-13 movie. This would require cutting a lot of the expensive effects shots designed to show the brutalities of war. The American Revolution was somewhere between the kind of war seen in Braveheart and Saving Private Ryan. Hand to hand combat, muskets firing lead balls, cannons and rows of troops slamming into each other. This shouldn't be pretty and reportedly it was shot to shock the viewer. It would be a shame for Sony to wimp out and try and sell us something softer. It robs the battles of their impact and reduces the movie. Thanks to AICN.
27 January, 2000
7 January, 2000 A historical reenactment group known as the 7th Virginia Regiment of the Continental Line worked on the movie as soldiers. Luckily for us they have a website and more importantly, posted some shots they took during the filming. I've got a few of their shots below. You can find all of them here. 3 January, 2000
Thanks to The Movie Page. Teaser Trailer: |
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